National Drug Control Strategy Essay Example | Topics and Well Written Essays - 250 words

National Drug Control Strategy - Essay Example Asides from the issue of drug abuse in its entirety and the prevention strategies, the     President's National Drug Control Strategy has the treatment and recovery vision for the recuperating drug addicts (Whitehouse.gov, 2014). International partnerships, law enforcement, grants and the role of the media are also part of the President’s National Drug Control Strategy.Asides from the issue of drug abuse in its entirety and the prevention strategies, the     President's National Drug Control Strategy has the treatment and recovery vision for the recuperating drug addicts (Whitehouse.gov, 2014). International partnerships, law enforcement, grants and the role of the media are also part of the President’s National Drug Control Strategy. The National Drug Control Policy wrote the foreword to the office of the president of the Obama Administration. The National Drug Control Policy was trying to put the detrimental effects of drug abuse in the American Society (White house.gov, 2014). Moreover, the forward also intends to put it into clarity that the office of the president is trying all it can do to tackle the issue if drug abuse. The goal, which I think deserves the most attention in the fight against drugs in the American society, is a community participation in the fight. Community involvement is essential because it is in the numerous communities that the drugs circulate. Should the community work hand in hand with the law enforcement agencies, then society would eventually be a drug-free society (Whitehouse.gov, 2014). Resultantly, the people would help in developing their respective societies because drugs tend to derail the society’s workforce.

Theory, Design, and Specification Essay Example for Free

Theory, Design, and Specification Essay The development and application of programs and projects are indeed complicated as they involved numerous aspects and concerns, critical challenges and problems in its procedures, and other hindrances that are likely to affect their effectiveness and relevance. To preserve the effectiveness of the relevance of the programs, the projects must carefully, strategically, and systematically planned and organize to ensure that all important concerns are addressed and covered to avoid complications and unexpected hindrances. In the premature stages of every project and program is the systematic organization and planning of its processes and procedures wherein the organizers expect likely problems, the value of the necessary elements, the approach that the program is to be applied, its actual relevance and others. Through taking in this course before the actual application promotes the success and effectiveness of the program.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Consider the case of establishing a certain social program that is concerned with providing healthcare assistance towards children that are out-of-school and are highly impoverished subjects. This program is founded based on the ideal vision of helping children through providing critically needed assistance in their healthcare needs, which are often negated due to certain financial and social hindrances. However, regardless of its ideal vision, this project also has its own shares of stumbling hindrances and problems, which are critical for its development and actual social application. Due to which, strategic and systematic planning and organizing are necessary to secure its relevance and success regarding its social value.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Considering the factors and elements involved in this social program, the plan regarding this social program is outlined under three concerns namely the theory behind the projects, the design of its operation, and the specifications and scope of its actual application. This program is mainly based on the view and realization with the importance of healthcare assistance for children, which is often negated due to their financial and social condition. Because healthcare is viewed also as a fundamental necessity for a healthy lifestyle and well-being especially for children, this gap needs to be fill with and this program will serve as a mean to provide this need. This program is aimed towards children as they have greater needs for health assistance due to their physical vulnerability in terms of developing a foundation for their healthy adulthood. Its design will particularly takes approaches such as founding healthcare personnel visits to targeted communities, supply of medicinal provisions and health supplements for children, awareness campaigns in targeted communities regarding the importance of healthy living and prevention of common problems and diseases, and assistance projects with the financial responsibilities involving children in healthcare institutions. Since the funding of this social campaign is not much of a problem, the establishment of the healthcare and the accreditation from various healthcare organization and institutions would be the main priorities. The main concern for this program will also include establishing a social link enabling this project to be aware of the its needing subjects and their needs and concerns. This social link or accreditation is also necessary, as this will serve as a mean for the program to be enacted in intervening and assisting its established subjects or targets. This steps and procedures are necessary to ensure the efficiency and effectiveness towards providing healthcare assistance towards its subjects. Through the application of these systematic procedures in the establishing and development of this project, this healthcare social program is likely to become successful in developing health awareness for children in their early stages of their respective lives and attracting wider efforts and concern from other social groups for the same cause. In addition, the systematic development of this program will surely promote its effectiveness towards its ideal purpose of highlighting the healthcare needs for the development of a healthy society in the future.

Sutton Hoo :: Burial Tradition Traditional Culture Essays

Sutton Hoo Sutton Hoo is an Anglo-Saxon ship burial (also described by some as a grave field) that is located in England in the county of Suffolk. In 1939 a ship was found filled with the war gear and treasure of a Heroic Age English king. This site in which the ship was found is called Sutton Hoo. The ship was found buried in a ditch under a huge mound of earth. Sutton Hoo consists of at least 15 mounds of various sizes. The treasure is believed to have belonged to a king who died somewhere around the year 650. Some of the items found were a sword, shield, a huge gold belt buckle, and other items. The religious belief of the people at that time was that there was an afterlife and that the dead must be buried with all of their possessions so they would be prepared for their next life. That is why there was a need for a very large ship to hold all of the items. The poem Beowulf describes how Scyld, King of the Danes, is buried. Scyld is put onto a ship with his weapons and many treasures, and then the vessel is set off into the sea. This description is similar in detail to the Sutton Hoo ship except for the fact that this ship was buried on land. There was also nobody buried in Sutton Hoo. Because of the new belief in Christianity, the body might have been actually buried separately and Sutton Hoo stood as a sort of memorial or monument for the dead. Sutton Hoo was located on the property of a woman named Mrs. Pretty who wanted to keep the objects for herself. A decision had to be made as to who had the right to the find. It was eventually decided that the items belonged to the woman. Mrs. Pretty died a few years after the find, but she did want the public to be able to enjoy the artifacts and they were given to a British Museum after her death. In all I learned that the Sutton Hoo was a means of respect and tradition among Anglo-Saxon people. This was the people’s way to pay homage for a fallen warrior.

John Grisham Essay -- essays research papers

John Grisham’s Appeal to Contemporary Viewers   Ã‚  Ã‚  Ã‚  Ã‚  The success behind the Grisham’s novels has come from the author’s ability to focus the suspense and drama around the character, rather than the cases the character is involved in. When one looks back into time at the novels and TV shows about law, the authors tended to focus on the cases rather on the drama surrounding the event that took place. In John Grisham’s book The Firm, he turns the focus of the audience away from the actual case(s) and instead focuses on the life of the lawyer (Mitch McDeere). This allows Grisham to add drama, suspense and anything else that would help support the plot. If Grisham decided only to write about the technical aspects of law surrounding a case, then his following of viewers would probably be much smaller then it is today. Matt Zoller Seitz, an author who wrote an essay that reaffirms this point, by claiming that the contemporary viewers are attracted to Grisham’s work because of his real life like stories surrounding the main characters, like the lawyer, Mitch McDeere, in The Firm.   Ã‚  Ã‚  Ã‚  Ã‚  John Grisham’s leading character in this novel is Mitch McDeere, he is the center of the plot. Grisham uses supporting characters such as Mitch’s wife, and other partners in the law firm, that brings life to Mitch McDeere. Grisham creates conflict between these characters and Mitch to form the drama of the plot and find a resolution to the problems that...

Night World : Secret Vampire Chapter 14

â€Å"YOU see,I like James,† Ash said. â€Å"I think he'sa little soft on vermin, but I don't want to seehim in trouble. I certainly don't want to see him dead.† Poppy felt the way she had last night when herbody was starving for air. She was frozen, too stillto breathe. â€Å"I mean, do youwant him dead?† Ash asked, as ifit were the most reasonable question in the world.Poppy shook her head. â€Å"Well, then,† Ash said. Poppy got a breath at last. â€Å"What are you saying?†Then, without waiting for him to answer, she said, â€Å"You're saying that they're going to kill him if theyfind out about me. But they don't haveto find out about me. Unless you tell them.† Ash glanced at his fingernails thoughtfully.. Hemade a face to show that this was as painful for himas it was for her. â€Å"Let's go over the facts,† he said. â€Å"You are, in fact,a former human.† â€Å"Oh, yeah, I was a vermin, all right.† He gave her a droll look. â€Å"Don't take that so seriously. It's what you are now that counts. But Jamesdid, in fact, change you without clearing it with anybody.Right? And he did, in fact, break cover and tellyou about the Night World before you werechanged. Right?† â€Å"How do you know? Maybe he just changed mewithout telling me a thing.† He shook a finger. â€Å"Ah, but James wouldn't dothat. He's got these radical permissive ideas abouthumans having free will.† â€Å"If you know all about it, why ask me?† Poppysaid tensely. â€Å"And if you've got a point-â€Å" â€Å"The point is that he's committed at least two capital offenses. Three, I bet.† He flashed the wild, handsome smile again. â€Å"He must have been in love withyou to have done the rest.† Something swelled in Poppy like a bird trapped inher rib cage and trying to get out. She blurted, â€Å"I don't see how you people can make laws about not falling in love! It's insane.† â€Å"But don't you see why? You're the perfect example. Because of love, James told you and then hechanged you. If he'd had the sense to squash hisfeelings for you in the beginning, the whole thingwould have been nipped in the bud.† â€Å"But what if you can'tsquash it? You can't forcepeople to stop feeling.† â€Å"Of course not,† Ash said, and Poppy stoppeddead. She stared at him. His lips curved and he beckoned to her. â€Å"I'll tellyou a secret. The Elders know they can't really legis late how you feel. What they can do is terrorize youso that you don't dare show your feelings-ideally, so you can't even admit them to yourself.† Poppy settled back. She'd seldom felt so at a loss.Talking to Ash made her head whirl, made her feel as if she were too young and stupid to. be sure of anything. She made a forlorn and helpless gesture. â€Å"Butwhat do I do now? I can't change thepast†¦.† â€Å"No, but you can act in the present.† He jumpedto his feet in a lovely, graceful motion and beganpacing. â€Å"Now. We have to think fast. Presumably everyone here thinks you're dead.† â€Å"Yes, but-â€Å" â€Å"So the answer is simple. You have to get out of jthe area and stay out. Go someplace where youwon't be recognized, where nobody will care ifyou're new or illegal. Witches. That's it! I've got some cross-cousins in Las Vegas that will put you up. Themain thing is to leave now.† Poppy's head wasn't just whirling, it was reeling.She felt dizzy and physically sick, as if she'd juststepped off Space Mountain at Disneyland. â€Å"What? Idon't even understand what you're talking about,†she said feebly. â€Å"‘I'll explain on the way. Come on, hurry! Do youhave some clothes you want to take?† poppy planted her feet solidly on the floor. Sheshook her head to try and dear it. â€Å"Look, I don'tknow what you're saying, but I can't go anywhereright now. I have to wait for James.† â€Å"But don't you see?† Ash stopped his whirlwindpacing and rounded on her. His eyes were green andhypnotically brilliant. â€Å"That's just what you can't do. James can't even know where you're going.† , what?† â€Å"Don't you see?†Ash said again. He spread hishands and spoke almost pityingly. â€Å"You'rethe only thing putting James in danger. As long as you're here, anybody can look at you and put the piecestogether. You're circumstantial evidence that he's committed a crime.† Poppy understood that. â€Å"But I can just wait and James can go away with me. He would wantthat.† â€Å"But it wouldn't work,† Ash said softly. â€Å"It doesn'tmatter where you go; whenever you're together,you're a danger to him. One look at you and anydecent vampire can sense the truth.† Poppy's knees felt weak. Ash spoke soberly. â€Å"I'm not saying that you'll bemuch safer yourself if you leave. You bring your owndanger with you, because of what you are. But aslong as you're away from James, nobody can connect you with him. It's the only way to keep him safe. Do you see?† â€Å"Yes. Yes, I see that now.† The ground seemed tohave disappeared beneath Poppy. She wasfalling,not into music, but into an icy dark void. There wasnothing to hold on to. â€Å"But, of course, it's a lot to expect, to ask you togive him up. You may not want to make that kindof sacrifice-â€Å" Poppy's chin came up. She was blind and empty and giddy, but she spoke to Ash with utter contempt,spitting out the words. â€Å"After everything he sacrificedfor me? What do you think I am?† Ash bowed his head. â€Å"You're a brave one, littledreamer. I can't believe you were ever human.† Then he looked up and spoke briskly. â€Å"So do youwant to pack?† â€Å"I don't have much,† Poppy said, slowly, becausemoving and speaking hurt her. She walked towardthe bedroom as if the floor was covered with broken glass. â€Å"Hardly anything. But I have to write a notefor James.† â€Å"No, no,† Ash said. â€Å"That's the last thing you wantto do. Well, after all,† he added as she swiveledslowly to look at him, â€Å"James being so noble andlovestruck and everything-if you let him knowwhere you're going, he'll come right after you. Andthen where will you be?† Poppy shook her head. â€Å"I†¦ okay.† Still shakingher head, she stumbled into the bedroom.She wasn't going to argue with him anymore, but she wasn't going to take his advice, either. She shut the bedroom door and tried as hard as she could toshield her mind. She visualized a stone wall around her thoughts. Stuffing her sweat pants and T-shirt and whitedress into the duffel bag took thirty seconds. Thenshe found a book under the nightstand and a felt-tippen in the drawer. She tore the flyleaf out of thebook and scribbled rapidly. Dear James, I'm so sorry, but if I stay to explain this to you, I know you'll try to stop me. Ash has made me understand the truth-that as long as I stick around I'mputting your life in danger. And I just can't do that.If something happened to you because of me, I woulddie. I really would. I'm going away now. Ash is taking me somewherefar away where you won't findme. Where they won'tcare what I am. I'll be safe there. You'll be safe here.And even if we're not together, we'll never really beapart. I love you. I'll love you forever. But I have to dothis. Please tell Phil goodbye. Your soulmate, Poppy. She was dripping tears onto the paper as shesigned it.She put the flyleaf on the pillow and went outto Ash. â€Å"Oh, there, there,† he said. â€Å"Don't cry. You'redoing the right thing.† He put an arm around hershoulders. Poppy was too miserable to shrug it off. She looked at him. â€Å"One thing. Won't I be putting youin danger if I go with you? I mean, somebodymight think youwere the one who made me an ille gal vampire.† He looked at her with wide, earnest eyes. They happened to be blue-violet at the moment. â€Å"I'm willing to take that risk,† he said. â€Å"I have alot of respect for you.† James took the stairs two at a time, sending probing thoughts ahead of him and then refusing to believe what his own senses told him. She had to be there. She hadto be†¦. He pounded on the door at the same time as hewas thrusting the key into' the lock. At the same timeas he was shouting mentally. Poppy! Poppy, answer me! Poppy! And then, even with the door flung open and hisown thoughts ricocheting off the emptiness in theapartment, he stilldidn't want to believe. He ran around, looking in every room, his heart thudding louder and louder in his chest. Her duffel bag was gone. Her clothes were gone. She was gone. He ended up leaning against the glass of the livingroom window. He could see the street below, andthere was no sign of Poppy. No sign of Ash, either. It was James's fault. He'd been following his mother's trail all afternoon, from decorating job to decorating job, trying to catch up with her. Only to find,once he did catch up, that Ash was already in Elcamino, and had, in fact, been sent over to James'sapartment hours ago. With a key. putting him alone with Poppy. James had called the apartment immediately. Noanswer. He'd broken all speed limits getting backhere. But he was too late. Ash, you snake, he thought. If you hurt her, if youput one finger on her †¦ He found himself roving over the apartment again,looking for clues as to what had happened. Then, in the bedroom, he noticed something pale against the light brown of the pillowcase. A note. He snatched it up and read it. And gotcolder and colder with every line. By the time he reached the end, he was made of ice and ready tokill. There were little round splashes where the felt-tippen had run. Tears. He was going to break one of Ash's bones for each one. He folded the note carefully and put it in hispocket. Then he took a few things from his closetand made a call on his cellular phone as he was walking down the stairs of the apartment building. â€Å"Mom, it's me,† he said at the beep of an answering machine. â€Å"I'm going to be gone for a few days. Something's come up. If you see Ash, leave me amessage. I want to talk with him.† He didn't say please. He knew his voice was clippedand sharp. And he didn't care. He hoped his tone would scare her. Just at the moment he felt ready to take on hismother and father and all the vampire Elders in theNight World. One stake for all of them. He wasn't a child anymore. In the last week he'dbeen through the crucible. He'd faced death andfound love. He was an adult. And filled with a quiet fury that would destroyeverything in its path. Everything necessary to getto Poppy. He made other phone calls as he guided the Integraswiftly and expertly through the streets of El Camino.He called the Black Iris and made sure that Ashhadn't turned up there. He called several other blackflower dubs, even though he didn't expect to find anything. Poppy had said Ash was going to take her far away. But where? Damn you, Ash, he thought. Where? Phil was staring at the TV without really seeing it.How could he be interested in talk shows or infomercialswhen all he couldthinkabout was his sister?His sister who was maybe watching the same showsand maybe out biting people? He heard the car screech to a stop outside and wason his feet before he knew it. Weird how he wasabsolutely certain of who it was. He must have cometo recognize the Integra's engine. He opened the door as James reached the porch.†What's up?† â€Å"Come on.† James was already heading for the car.There wasa deadly energy in his movements, abarely controlled power, that Phil had never seen before. White-hot fury, leashed but straining. â€Å"What's wrong?† James turned at the driver's side door. â€Å"Poppy'smissing!† Phil threw a wild glance around. There was nobodyon the street, but the door to the house was open.And James was shouting as if he didn't care whoheard. Then the words sank in. â€Å"What do you mean,she's-† Phil broke off and jerked the door to thehouse shut. Then he went to the Integra. James already had the passenger door open. â€Å"What do you mean, she's missing?† Phil said assoon as he was in the car. James gunned the engine. â€Å"My cousin Ash has taken her someplace.† â€Å"Who's Ash?† â€Å"He's dead,† James said, and somehow Phillip knew he didn't mean Ash was one of the walkingdead. He meant Ash was going to bedead, completelydead, at some point very soon. â€Å"Well, where's he taken her?† â€Å"I don't know,† James said through his teeth. â€Å"Ihave no idea.† Phil stared a moment, then said, â€Å"Okay. Okay.† He didn't understand what was going on, but hecould see one thing. James was too angry and toointent on revenge to think logically. He might seem rational, but it was stupid to drive around at fifty five miles an hour through a residential zone with no idea of where to go. It was strange that Phil felt comparatively calmit seemed as if he'd spent the last week being wacko while James played the cool part. But having someone else be hysterical always made Phil golevelheaded. â€Å"Okay, look,† he said. â€Å"Let's take this one step ata time. Slow down, okay? We might be going in exactly the wrong direction.† At that, James eased up on the gas pedal slightly. â€Å"Okay, now tell me about Ash. Why's he taking Poppy somewhere? Did he kidnap her?† â€Å"No. He talked her into it. He convinced her thatit was dangerous for me if she stuck around here. Itwas the one thing guaranteed to make her go withhim.† One hand on the wheel, James fished in his pocket and handed a folded piece of paper to Phil. It was a page torn out of a book. Phillip read thenote and swallowed. He glanced at James, who wasstaring straight ahead at the road. Phil shifted, embarrassed at having intruded on private territory, embarrassed at the sting in his eyes. Your soulmate, Poppy?Well. Well. â€Å"She loves you a lot,† he said finally, awkwardly.†And I'm glad she said goodbye to me.† He folded the note carefully and tucked it under the emergency brake handle. James picked it up and put it in hispocket again. â€Å"Ash used her feelings to get her away. Nobodycan push buttons and pull strings like he can.† â€Å"But why would he want to?† â€Å"First because he likes girls. He's a realDon Juan.†James glanced at Phil caustically. â€Å"And now he's gother alone. And second because he likes to play withthings. Like a cat with a mouse. He'll fool around with her for a while, and then when he gets tired ofher, he'll hand her over.† Phillip went still. â€Å"Who to?† â€Å"The Elders. Somebody in charge somewherewho'll realize she's a renegade vampire.† â€Å"And then what?† â€Å"And then they kill her.† Phil grabbed the dashboard. â€Å"Wait a minute.You're telling me that a cousin of yours is going tohand Poppy over to be killed?† â€Å"It's the law. Any good vampire would do thesame. My own mother would do it, without a second thought.† His voice was bitter. â€Å"And he's a vampire. Ash,† Phil said stupidly. James gave him a look. â€Å"Allmy cousins are vampires,† he said with a short laugh. Then his expression changed, and he took his foot off the gas. â€Å"What's the-hey, that was a stop sign!† Philyelped. James slammed on the brakes and swung into aU-turn in the middle of the street. He ran over somebody's lawn. â€Å"What is it?† Phil said tightly, still braced againstthe dashboard. James was looking almost dreamy. â€Å"I've just realized where they've gone. Where he'd take her. Hetold her someplace safe, where people wouldn't carewhat she was. But vampires wouldcare.† â€Å"So they're with humans?† â€Å"No. Ash hates humans. He'd want to take hersomeplace in the Night World, someplace where he'sa big man. And the nearest city that's controlled bythe Night World is Las Vegas.† Phil felt his jaw drop. Las Vegas? Controlled by theNight World? He had the sudden impulse to laugh. Sure, of course it would be. â€Å"And I always thoughtit was the Mafia,† he said. â€Å"It is,† James said seriously, swerving onto a freeway on-ramp. â€Å"Just a different mafia.† â€Å"But, look, wait. Las Vegas is a big city.† â€Å"It's not, actually. But it doesn't matter anyway. Iknow where they are. Because all my cousins aren'tvampires. Some of them are witches.† Phil's forehead puckered. â€Å"Oh, yeah? And how didyou arrange that?† â€Å"I didn't. My great-grandparents did, about fourhundred years ago. They did a blood-tie ceremonywith a witchfamily. The witches aren't my realcous ins; they're not related. They're cross-cousins.Adopted family. It probably won't even occur tothem that Poppy might not be legal. And that'swhere Ash would go.† â€Å"They're cross-kin,† Ash told Poppy. They weredriving in the Rasmussen's gold Mercedes, which Ashinsisted his aunt Maddy would want him to take.†They won't be suspicious of you. And witches don'tknow the signs of being a new vampire the way vampires do.† Poppy just stared at the far horizon. It was evening now, and a lowering red sun was setting behind them. All around them was a weird alien landscape: not as brown as Poppy would have expected a desertto be. More gray-green, with clumps of green-gray. The Joshua trees were strangely beautiful, but alsothe closest thing to a plant made up of tentacles as she'd ever seen. Most everything growing had spikes. It was oddly fitting as a place to go into exile. Poppy felt as if she were leaving behind not only herold life, but everything she'd ever foundfamiliarabout the earth. â€Å"I'll take care of you,† Ash said caressingly. Poppy didn't even blink. Phillip first saw Nevada as a line of lights in thedarkness ahead. As they got closer to the state line,the lights resolved into signs with blinking, swarming, flashing neon messages. Whiskey Pete's, they an nounced. Buffalo Bill's. The Prima Donna. Some guy with a reputation for being a Don Juanwas taking Poppy in thisdirection? â€Å"Go faster,† he told James as they left the lightsbehind and entered a dark and featureless desert.†Come on. This car can do ninety.† â€Å"Here we are. Las Vegas,† Ash said as if makingPoppy a present of the whole city. But Poppy didn'tsee a city, only a light in the clouds ahead like the rising moon. Then, as the freeway curved, she sawthat it wasn't the moon, it was the reflection of city lights. Las Vegas was a glittering pool in a flat basinbetween the mountains. Something stirred in Poppy despite herself. She'dalways wanted to see the world. Faraway places. Ex otic lands. And this would have been perfect-if onlyJames had been with her. Up close, though, the city wasn't quite the gem itlooked from a distance. Ash got off the freeway, and Poppy was thrown into a world of color and lightand movement-and of tawdry cheapness. â€Å"The Strip,† Ash announced. â€Å"You know, whereall the casinos are. There's no place like it.† â€Å"I bet,† Poppy said, staring. On one side of her wasa towering black pyramid hotel with a huge sphinxin front. Lasers were flashing out of the sphinx'seyes. On the other side was a sleazy motor inn with a sign saying â€Å"Rooms $18.† â€Å"So this is the Night World,† she said, with a twingeof cynical amusement that made her feel very adult. â€Å"Nah, this is for the tourists,† Ash said. â€Å"But it'sgood business and you can do some fairly seriouspartying. I'll show you the real Night World, though.First, I want to check in with my cousins.† Poppy considered telling him that she didn't reallycare to have himshow her the Night World.Something about Ash's manner was beginning to bother her. He was acting more as if they were out on adate than as if he were escorting her into exile. But he's the only person I know here, she realizedwith a dismayed sinking in her stomach. And it's notas if I have any money or anything–not even eighteen dollars for that crummy motel. There was something worse. She'd been hungry for some time now, and now she was starting to feel breathless. But she wasn't the dazed, unthinking animal she'd been last night. She didn't want to attacksome human on the street. â€Å"This is the place,† Ash said. It was a side street,dark and not crowded like the Strip. He pulled intoan alley. â€Å"Okay, just let me see if they're in.† On either side of them were high buildings withcinder-block walls. Above, tiers of power lines obscuredthe sky. Ash knocked at a door set in the cinder blocka door with no knob on the outside. There was no signon the door, either, just some crudely spray-paintedgraffiti. It was a picture of a black dahlia. Poppy stared at a Dumpster and tried to controlher breathing. In, out. Slow and deep. It's okay,there's air. It may not feel like it, but there's air. The door opened and Ash beckoned to her. â€Å"This is Poppy,† Ash said, putting an arm aroundher as Poppy stumbled inside. The place looked likea shop–a shop with herbs and candles and crystals. And lots of other weird things that Poppy didn't recognize. Witchy-looking supplies. â€Å"And these are my cousins. That's Blaise, andthat's Thea.† Blaise was a striking girl with masses ofdark hair and lots of curves. Thea was slimmer and blond. They both kept going out of focus as Poppy's vision blurred. â€Å"Hi,†she said, the longest greeting she couldmanage. â€Å"Ash, what's wrong with you? She's sick. What have you been doing to her?† Thea was looking atPoppy with sympathetic brown eyes. â€Å"Huh? Nothing,† Ash said, looking surprised, as ifnoticing Poppy's state for the first time. Poppyguessed he wasn't the type to worry about other peo ple's discomfort. â€Å"She's hungry, I guess. We'll haveto run out and feed-â€Å" â€Å"Oh, no, you don't. Not around here. Besides,she's not going to make it,† Thea said. â€Å"Come on,Poppy, I'll be a donor this once.† She took Poppy by the arm and led her through abead curtain into another room. Poppy let herself betowed. She couldn't think anymore-and her wholeupper jaw was aching. Even the word feedsharpenedher teeth. I need†¦I have to †¦ But she didn't know how. She had. a vision of her own face in the mirror, silvery eyes and savage canines. She didn't wantto be an animal again ,and jump on Thea andripher throat. And she couldn'task how-that would give her away as a new vampire for sure. She stood, trembling, unable to move.

P6 Legal and Ethical Issues of Business Communications Essay Example

P6 Legal and Ethical Issues of Business Communications Essay Example P6 Legal and Ethical Issues of Business Communications Essay P6 Legal and Ethical Issues of Business Communications Essay BTEC Level 3 Diploma Business Unit 4: Business Communications P6 Legal and Ethical issues of Business Communication Process What are the operational issues in relation to using ICT in the College and how does the organization deal with them? * Introduction What your report is about In this task, I will be talking about the legal and ethical issues of business communications process. I will be explaining the security of information, backups, healthy and safety, organizational policies and business continuous plans. * What are the operational issues that a business will encounter in its business communication? Security of information Information security management deals with maintaining the integrity and availability of organizational information and knowledge. Much information security management focuses upon digital data; however, the subject also covers records and knowledge management. It is important for the college to have the right information available as and when they need i t, in order to make good decisions. For this reason, many colleges (schools) keep their information on IT systems, but as the reliance on technology increases, so does the risk posed by system failure and malicious attacks (for example, viruses). The IT security policy should take account of the common risks to the information that the college relies upon. This policy might include secure login identification for using IT system and controls that limit access to information. * Backups Large businesses have developed business community programmes to try to minimize the risk of losing vital college information stored on IT service. This involves producing backups of information’s stored on the servers – some schools will create a backup every hour, while others will do so less requently this means that if the live information is destroyed or damaged, a copy is available so the business can continue with as little description as possible. Backups are stored on separate hardware for the live versions of the information. For example, a business might have a dedicated server to backup information. This means that if the whole of the live system is affected, the backup information is not lost along with the live inform ation. * Health and safety St Charles College strives for excellence in everything they do. Health and safety is top in this and it is considered an essential part of management process. The college intend to continually improve their health and safety management systems and expect all of staff, students, visitors and contractors to actively participate in this process. Following the policies, procedures and guidance will enable you to meet and where necessary, to exceed the requirements of regulation. College provides and maintains a safe and healthy environment in which you can work, study, visit and enjoy yourself. Your business has legal responsibilities to provide safe and healthy conditions for your employees, customers, suppliers and anyone else who could be affected by your activities. Your business can also benefit from good health and safety at work. Effective health and safety practices pay for themselves, because they help you avoid staff illness, accidents and the costs associated with them. They can also improve your reputation with customers, regulators and employees. * Organizational policies Organisational policies that relate to the use of business information can help make sure that decision effecting staff: are understandable and consistent, meet legal requirements, take full account of their impact, and contribute to productive working relationships. olicies help make sure that staff have guidance to help them comply with legislation – for example, an organizational policy on the storage and usage of customer data should work within the requirements of the data protection act. They should also help ensure that consistent decisions are made, which can be as important in internal communications as they are in handling customers. * Business continu ance plans This is the steps that a college puts into place to make sure it is capable of surviving a worst – case scenario. One step in the continuance programme might be to make sure the company is producing regular backups of its information. The business might consider natural disasters (such as flooding or fire), accidents (such as a deliberate breach of security, or hacking into the computer system) in its planning. As a result of the plan, employees may need to change the way they work – for example, storing information on a central server rather than on their personal hard drives.

How to Stay Safe in College

How to Stay Safe in College Staying safe while youre in college doesnt have to be complicated. These fifteen tips can be done with minimal effort and can avoid lots of problems later. Top 15 College Safety Tips Make sure the main door to your hall or apartment building is locked at all times. You wouldnt just leave the front door to your house open, would you? Dont let anyone into your hall or apartment building that you dont know. Not letting someone in doesnt make you look like a jerk. It makes you look like a good neighbor and, if the person is supposed to be in your hall, theyll be grateful for it. Make sure your room door is locked at all times. Yes, this even means when you run down the hall to borrow a book or hop in the shower. Be careful with your keys. Also, if you lose them, dont depend on your roommate to keep letting you in, thinking that your keys will just pop up. Pay the fine and get a new set. If you have a car, lock it. It seems so easy to remember, yet its so easy to forget. If you have a car, check on it. Just because you havent been using your car very much this semester doesnt mean someone else hasnt! Get a locking device for your laptop. This may be a physical lock o r some kind of electronic tracking or locking device. Watch your stuff in the library. You may need to take a quick run to the vending machines to clear your mind...just as someone happens to walk by and see your iPod and laptop unattended. Keep your windows locked. Dont be so focused on locking your door that you forget to check the windows, too. Put emergency numbers in your cell phone. If your wallet is stolen, will you know what phone number to call to cancel your credit cards? Put important phone numbers in your cell so that you can call the moment you notice something is missing. The last thing you want is someone cashing in on the money youve been budgeting for the rest of the semester. Use the campus escort service at night. You may feel embarrassed, but its such a smart idea. And besides, who wouldnt want a free ride?! Taking a friend with you when going out at night. Male or female, big or small, safe neighborhood or not, this is always a good idea. Make sure someone knows where you are at all times. Heading to a club downtow n? Going out on a date? Theres no need to spill all the intimate details, but do let someone (a friend, a roommate, etc.) know where youre going and what time you expect to get back. If you live off-campus, send someone a message when you get home.  If youre studying for finals with a friend late one night at the library, make a quick agreement that youll text each other you get home later that evening. Know the phone number for Campus Security.  You never know: you may need it for yourself or for something you see from far away. Knowing the number off the top of your head (or at least having it in your cell phone) may be the most important thing to remember during an emergency.